Showing posts with label X-Men: First Class. Show all posts
Showing posts with label X-Men: First Class. Show all posts

Sunday, June 12, 2011

Circuit Round-Up, 06/12

* Last week, Joey Magidson loved Beginners, was intrigued by Kaboom, shrugged at Priest and despised Passion Play. Mike Ward very much enjoyed X-Men: First Class, and both of them recommended Super 8.

* Joey admitted his cinematic “blind spots.” What films are seemingly forever in your “To Watch” pile?

* Joey’s DVD Pick of the Week was not what most would expect.

* “The Oscarettes” make a triumphant return to Anna Belickis’ Women in Cinema, this time evaluating the victories of Sandra Bullock and Mo’Nique as well as their competition.

* The relatively modest slate of weekend releases was also previewed by yours truly.

Monday, June 6, 2011

Box Office Actuals (6/3/11 - 6/5/11): "X-Men" Are Indeed "First Class"

Via Box Office Mojo, The Numbers, Deadline, and other sources:

Despite landing the weakest opening attendance-wise in the "X-Men" film series to date, "X-Men: First Class" ruled the top of the box office weekend with an opening weekend tallied at $55.1 million. While this does exceed the opening of the first film in the franchise speaking strictly in a dollars-and-cents capacity (2000's "X-Men" started with $54.5 million), simple inflation would tell you that a lot more people saw that film in its first 3 days then this one. Was it the absence of Hugh Jackman's Wolverine (save a hilarious and winning cameo by Jackman), the fact that James McAvoy, Jennifer Lawrence, Michael Fassbender, and a 2011 Kevin Bacon are not bankable box office commodities, or simply attrition with moviegoers on this series?

Eyes turned to the success that another fifth film in a series experienced when "Fast Five" conjured up $568 million worldwide. Fox was optimistic that they would deliver a healthier number than they did, hoping in the mid $60-low $70 million range. Executives were saying all the right things regarding the opening, indicating that this "X-Men" is a starting over or relaunch of a series and pointed to the opening of "Batman Begins" ($54.5 million) as more of a reasonable comparison. Regardless, the film may have opened to strong reviews, but will struggle to make back its $160 production budget on the domestic side of the ledger, especially with the eagerly anticipated "Super 8" looming in a few short days.

"X-Men" proved to be the only major opening of the weekend, but how did other independent films fare? Did Woody Allen deliver a third impressive return with "Midnight In Paris"? How did Terrence Malick's "Tree Of Life" expand? Details and the Top 40 after the cut!

Thursday, April 28, 2011